The Price of Occult Books, Part 5 – The Author’s Perspective

Now that we’ve gone over occult publishing from the perspective of publishing (1 and 2), libraries, and collecting – what about the role of creators and editors?  Fortunately, I can give some perspective on this as well.

I write a lot of different pieces, although these days they all come back to the topic of ritual magic. (For anything who thinks there’s big money in the field, the Cthulhu Mythos Encyclopedia is still my best seller.)  That includes both academic works (journal articles, book chapters, and the like), and editions of texts geared toward a more popular audience, whether longer works with fewer illustrations (Book of Oberon, The Long-Lost Friend) or shorter ones which have the full text reproduced (Experimentum Potens Magna).

My writing and editing can take different tactics for different reasons.  Some projects are being part of the academic conversation, which are among the expectations of me in a college setting.  This means publishing in academic forums, which sometimes have a particular price tag attached due to the nature of that field.

We also have the shorter manuscripts that have elements that will be of interest to readers, whether graphics, handwriting, or other aspects thereof.  A facsimile edition of such a work is useful and notable – and comes with an appropriate price tag.

A longer edited work of a mainly textual nature, such as The Long-Lost Friend and Oberon, is the area in which it is possible to create affordable editions suitable for a larger audience.  (I acknowledge that “affordable” for a $60 retail book may be considered relative by some readers.)

This does lead to situations in which some of my creations are not available to many readers, and it’s one I’d like to address.  I’m going to start examining my options for making these more broadly available, without violating my relationships with the publishers, artists, and other individuals who made the original creations possible.  I can already tell it might be difficult, on top of everything else I’ve got going on, so please feel free to ask where I am on it.

Next time, I conclude with some thoughts on what authors like me and publishers can do to help to make their work more accessible.

 

 

 

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Published in: on August 30, 2017 at 2:01 pm  Comments (1)  

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  1. […] having gone through the roles of publishing (1 and 2), libraries, collecting , and authors, when it comes to the price of occult books.  What are the solutions, […]


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