A Few Short Travels, Writing Project Update, Reviews, A New Jake Stratton-Kent Book, Bulgarian-Slavic and Arthurian Gaming

I’ve made a few small trips lately. Last month, I made an excursion to Michigan, where I spent some time with my family watching muskrats swim lazily across a pond. I was able to visit the Buckland Museum of Witchcraft and Magic for the first time in about two years on my way back.

Today I made a quick excursion to Kingston and Woodstock, where I prowled bookstores and metaphysical shops. It’s good to get out of the house and around people, especially when the fall is still a question mark. I do miss going to the UK, but the situation there would need to change considerably before I do. Maybe next year?

The witch bottle revisions are almost done, and I’m re-reading the whole book to try to smooth out how the prose flows. There are some sections of the Book of Four Wizards that need to be examined more closely, especially on some Latin where the author seems to have been copying without understanding what was written. If all goes according to plan, these will be off to the publishers on schedule – and you’ll see them soon.

In the review queue, I’ve just finished Trollrún, and I’ve begun work on Agostino Taumaturgo’s Medieval Rituals of Catholic Exorcism. I have many, many books in the queue right now, and I hope to have some time to get to them in the fall. Review copies usually jump to near the front.

Hadean has released another book by Jake Stratton-Kent, The Sworn and Secret Grimoire:

A ‘Guide to Grimoiring’ is well overdue, with unqualified persons claiming to fill the gap only to muddy the waters further. Simplifying the processes involved is unhelpful, what is required is to render them comprehensible and ‘user friendly’ in a time where they are regaining their deserved prestige as monuments of a tradition preceding the Christian era while nonetheless rooted in it. These processes are demanding and require both work and study in order to succeed. So too the ‘by rote’ attitude exhibited by some writers on the subject requires a counterblast. Forging and reforging grimoires has always been a part of their real nature; in a metallurgical as well as a literary sense. Ritual composition from scratch is a neglected but necessary skill, requiring a qualified and informed approach, which the current work addresses. So too this handbook departs from the homogenised ‘Solomonic’ form, drawing instead on the great iconoclast and revitaliser of tradition, Paracelsus. While avoiding Christophobia, the implications for a more pagan (or pagan friendly) approach to the grimoires, compatible with the Greek Magical Papyri and other predecessor forms, are greatly increased by this shift of emphasis.

My DCC game has wrapped up, and we’re moving to a biweekly game in a Bulgarian-Slavic setting of my own design, using Moldvay B/X as a chassis and a dash of Mörk Borg (which Phil has asked me to review). The goal is to be more gritty and grounded in folklore of a particular area. I’ve wanted to run it for a while, and the group is responding well to it so far – so well I need to do worldbuilding on the fly. (If you’re a player reading this, this is a lie.)

Pendragon… is continuing. I think some of the players are finding interesting ways to disrupt the world.

Take care of yourselves, everyone.

Published in: on July 25, 2021 at 7:38 pm  Leave a Comment  

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